In historical and
sociological terms, what is happening is the rupture of a pact of governance
between the oligarchies and the political parties that represented the popular
strata and left thinking.
In political and
immediate terms, there is a process of usurpation of the state by these
oligarchies. And this is accompanied by a dynamics of social subjectivity based
on the hate against the popular classes and, mainly, against the PT – which
represented them, politically, in the last decades. A hate often irrational and
fuelled by false news and post-truths. A hatred that has been generating a
pattern of behaviour similar to fascism.
But the most interesting thing, in
my view, is to perceive the intersubjective dimension that involves this
historical moment and the political life of Brazil – and this, because of my
professional competences – is what I would like to talk about in this blog,
focusing on exploring the Brazilian intersubjectivity.
In a way, I have the
impression that, with the ongoing political, economic and social crisis, Brazil
is, effectively and perhaps on the poorest way, rediscovering itself:
rediscovering its past, history and updating its conservative and prejudiced
essence. The country is meeting again its founding violence and exposing, in a
clear way, the class hatred that, albeit concealed, has nourished its social
formation.
A unique moment,
therefore, propitious to understand what Brazil really is and the reasons why
we have always tried to hide our historical conflicts.
Above all, I find it interesting
that, with the experience of the present, all the great myths that guided the
idea of Brazil, or rather the formal and agreed discourse on the
"national" identity, are overturned. It is as if the extreme violence
of slavery returned, to deny, on the one hand, the erudite markers of Brazilian
identity – the theses of patriarchalism, cordial man, anthropophagy, cultural
synthesis, the union between house and street, patrimonialism – as well as the
popular and banal markers of this identity – the themes of
"jeitinho", the praise of miscegenation, the ideas of harmony,
generosity, eroticism.
All these markers,
between scholars and popular, as a whole, were always at the service of the
dissimulation of founding violence in Brazilian society. The always present and
generative violence. Gerative in the sense that it re-does, it re-produces, as
a negative dialectic, though concealed in the obscurity of its veils of
representation, throughout history.
What is happening is, in
short, the unveiling of the profound violence of our social formation, as if
the country were stripped of its conventional and misguided garments taken by
the pulsion to retrieve its essences.
The verb undo is not
without purpose. Apparently, Brazil is undoing itself.
But maybe that's not it
at all. Maybe he's just meeting up again. Revealing itself, overcoming itself.
Offering a opportunity
to be accountable with the past.
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